I’m just wrapping up my eighteenth year of teaching English Language Arts.
For the first seventeen, I taught in a pretty predictable, traditional manner: assign a book, a reading schedule, give quizzes, poster projects, assign essays, administer exams, and show the movie.
This year was so different.
In September, I started the workshop model in my two grade eleven classes.
By October, I was so convinced that it is the right way to teach students to read, write, talk, and think, that I implemented it in all of my classes.
I became enthusiastic, almost to the point of fanaticism, with readers workshop. It works! I read about it, tweet about it, started blogging about it, and can’t stop talking and thinking about it.
I attended the Adolescent Literacy Conference in Bangkok last month. I heard Penny Kittle, Kelly Gallagher, Tom Newkirk, Kylene Beers, and Bob Probst talk about literacy and the workshop model, and I was even more convinced that what we are doing at our school, that what I am doing in my classroom, is the right thing to do, perhaps the best thing to do for kids right now.
So, as someone who is still relatively fresh to the practices of readers workshop, I’m happy to share what I’ve learned in a simple list of do’s and don’ts.
Do offer choice to your students. It’s the foundation of the workshop model. Students will read more, read better, and read deeper when they have the feeling of agency and choice in their reading lives. I really feel that it’s non-negotiable.
Give students control over their own reading lives – they are at the age when they should be making more, rather than fewer, independent decisions. This is a pretty safe way to offer trial and error, risk, failure, and success as options for teenagers.
Don’t let them make all of the decisions. If the standards suggest that students should be reading American dramas, then require it. Just offer choice within those rails. Offer students choice with their deadlines, or with their assessment options. Let one group choose between A Raisin in the Sun and Fences, and another choose between The Crucible and Death of a Salesman. Just offer choice to the students, and make sure you can live with the options you present.
Do a book talk every day. I like to group titles into themes, often including all types of levels, forms, and genres in the mix. Including novels written in verse, graphic novels, middle school level books, nonfiction, and contemporary classics ensures that there is most likely a title for everyone in the grouping (see how I incorporate choice, even in the book talks).
The theme pictured above, “secrets” was so popular that I had to do a “round two” because so many in the first group had been immediately checked out by students, and my later classes would not have had enough books presented to them in that grouping. What a great problem to have.
However you decide to do your book talks, it’s essential that your students see you talking about books, excited about books, and pushing them to read titles that they didn’t know existed. A nice side benefit to this practice is that you will become more familiar with your school library’s collection, and in turn you’ll be able to match students to books with more confidence. Continue reading “Three Do’s and Don’ts of Implementing Readers Workshop”